COSTUME and DESIGN FOR DEVISED and PHYSICAL THEATRE by Tina Bicat

By Tina Bicat

Costumes designed and made for devised or actual drama, for modern circus or for dance, range extensively from the extra conventional dress paintings produced for naturalistic functionality. For these operating within the box - even if specialist or scholar - those changes current demanding situations that this publication seeks to spotlight and clarify whereas supplying powerful ideas to beat them. contains: the variations among designing for scripted and for devised paintings; the really good designing, slicing and making, and becoming of costumes for dance, circus and different actual paintings; the position of the designer/maker within the devising corporation; layout invention within the practice session room; the administration of either time and price range with the past due alterations that take place with devised paintings; the breadth of other talents utilized in the paintings for performance.

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Decorum of the Minuet, Delirium of the Waltz: A Study of by Eric J. McKee

By Eric J. McKee

Much song used to be written for the 2 most vital dances of the 18th and nineteenth centuries, the minuet and the waltz. In Decorum of the Minuet, Delirium of the Waltz, Eric McKee argues that to higher comprehend the musical constructions and expressive meanings of this dance song, one has to be conscious of the social contexts and physically rhythms of the social dances upon which it's dependent. McKee techniques dance track as an element of a multimedia paintings shape that comprises the interplay of actual movement, song, structure, and get dressed. furthermore, the job of attending a ball comprises a dynamic community of modalities—sight, sound, physically expertise, contact, and scent, which are skilled from the views of a dancer, a spectator, or a musician. McKee considers dance track inside of a bigger method of signifiers and points-of-view that opens new avenues of interpretation.

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Dance Floor Democracy: The Social Geography of Memory at the by Sherrie Tucker

By Sherrie Tucker

Open from 1942 till 1945, the Hollywood Canteen was once the main recognized of the patriotic domestic entrance nightclubs the place civilian hostesses jitterbugged with enlisted males of the Allied countries. because the beginning evening, whilst the crowds have been so thick that Bette Davis needed to input throughout the rest room window to provide her welcome speech, the storied dance ground the place motion picture stars danced with squaddies has been the topic of a lot U.S. nostalgia concerning the "Greatest Generation." Drawing from oral histories with civilian volunteers and army site visitors who danced on the wartime nightclub, Sherrie Tucker explores how jitterbugging swing tradition has come to symbolize the warfare in U.S. nationwide reminiscence. but her interviewees' different stories and memories belie the opportunity of any singular ancient narrative. a few bear in mind racism, sexism, and inequality at the nightclub's dance ground and in la neighborhoods, dynamics at odds with the U.S. democratic, egalitarian beliefs linked to the Hollywood Canteen and the "Good struggle" in pop culture narratives. For Tucker, swing dancing's torque—bodies sharing weight, pace, and turning strength with no assured outcomes—is an apt metaphor for the jostling narratives, various views, unsteady thoughts, and quotidian acts that include social history.

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How To Become A Good Dancer by Arthur Murray

By Arthur Murray

This early paintings through Arthur Murray is either dear and difficult to discover in its first variation. Its 250 pages comprise a wealth of knowledge on tips to study the artwork of dancing and contain chapters at the Fox Trot, the Rumba the Mambo, all observed by means of tutorial diagrams. This attention-grabbing paintings is carefully instructed for a person with an curiosity in ballroom dancing and a willingness to profit. some of the earliest books, rather these courting again to the 1900s and sooner than, are actually tremendous scarce. we're republishing those vintage works in reasonable, prime quality, glossy variants, utilizing the unique textual content and artwork.

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Competing Like a Pro: Spotlight Strategies to Help You Shine by Jessika Ferm

By Jessika Ferm

Incorporating suggestions from ballroom dancing, activities psychology, own improvement, and company administration, this must-read publication deals thoughts, secrets and techniques, advice, and instruments to assist dancers of each point increase their dancing event and competing success—while maximizing the enjoyment of ballroom dancing. Competing Like a professional gains interviews with over 20 most sensible judges, pageant organizers, specialist dancers, novice dancers, dress designers, hair stylists, and makeup artists. by no means ahead of have such a lot of specialists shared such a lot of secrets and techniques in a single complete publication! learn their outstanding good fortune stories—and you’ll be Competing Like a professional in no time!

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Further Steps 2: Fourteen Choreographers on What's the by Constance Kreemer

By Constance Kreemer

Further Steps 2 brings jointly New York’s leading choreographers – between them MacArthur ‘Genius’ award winners Meredith Monk and invoice T. Jones – to debate the earlier, current and way forward for dance within the US. In a sequence of unique and enlightening interviews, this different number of artists talk about the altering roles of race, gender, politics, and the social setting on their work.



Bringing her personal event of the recent York dance scene to her examine, Constance Kreemer lines the lives and works of the subsequent choreographers:



Lucinda Childs, Douglas Dunn, Molissa Fenley, Rennie Harris, invoice T. Jones, Kenneth King, Nancy Meehan, Meredith Monk, Rosalind Newman, Gus Solomons jr, Doug Varone, Dan Wagoner, Mel Wong and Jawole Zollar.

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On Repetition: Writing, Performance & Art by Eirini Kartsaki

By Eirini Kartsaki

On Repetition aims to unpack the several makes use of and services of repetition inside modern functionality, dance practices, craft and writing. the gathering, edited by means of Eirini Kartsaki, explores repetition with regards to intimacy, laughter, know-how, familiarity and worry – providing a brand new vocabulary for knowing what's at stake in works that repeat. Drawing on psychoanalysis, philosophy, linguistics, sociology and function reviews – and making use of case reports from a number practices – the essays offered the following mix to shape a different interdisciplinary exploration of the features of repetition in modern culture.

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Nahaufnahme Sasha Waltz: Gespräche mit Michaela by Sasha Waltz,Michaela Schlagenwerth

By Sasha Waltz,Michaela Schlagenwerth

Sasha Waltz gehört zu den bedeutendsten internationalen Tanz­theater-Choreographinnen. In ausführlichen Gesprächen erkundet die Tanzkritikerin Michaela Schlagenwerth die künstlerische Arbeit der Choreographin und Regisseurin. Die Interviews geben dabei einen persönlichen Einblick in das Familienunternehmen Sasha Waltz, in Arbeitspro­zesse, Herangehensweisen und Phantasien. Gleichzeitig entspannt sich dabei die Geschichte eines beeindruckenden schöpferischen Reifungsprozesses.
Aktuelle Gespräche aus 2011 ergänzen das Porträt um ihre Opernarbeiten, Museumsprojekte und das Berliner Freiheits- und Einheitsdenkmal.

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Rebel Dance, Renegade Stance: Timba Music and Black Identity by Umi Vaughan

By Umi Vaughan

Rebel Dance, Renegade Stance indicates how neighborhood music-makers and dancers absorb all that's round them socially and globally, and publicly and physically spread their thoughts, sentiments, and uncooked responses inside open areas detailed or commandeered for neighborhood well known dance. As an African American anthropologist, musician, dancer, and photographer who lived in Cuba, Vaughan unearths a distinct standpoint on modern Cuban society through the Nineties, the height decade of timba, and past, because the Cuban management transferred from Fidel Castro to his brother. at the same time, the e-book unearths renowned dance track within the context of a tender and astutely informed Cuban iteration of fierce and inventive performers.

By taking a look at the reports of black Cubans and exploring the thought of “Afro Cuba,” Rebel Dance, Renegade Stance explains timba's evolution and completed value within the greater context of Cuban tradition. Vaughan discusses a maroon aesthetic prolonged past the colonial period to the context of latest society; describes the dance areas of Cuba; and examines the functionality of identification and wish during the personality of the “especulador.”

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